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Wiyohipeyata |
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In 2004, as had happened with my angel series (www.angelsofprotection.com)
I was intuitively inspired to make a piece of art of one of the
Lakota spirits called “Wiyohipeyata” – “the
place where the sun retires, the Spirit of the West which presides
over the evening and the coming of darkness and is present at the
death of man and animals.” This quote, from the book, Meditations
with Native Americans – Lakota Spirituality, by
Father Paul Steinmetz, S.J. is the vehicle that inspired
this piece and a new art series: my interpretations of twenty-one
of the Lakota Spirits. |
Dr. Aka Hultkrantz, University of Stockholm, said the following about
Father Steinmetz: “The author of this book of meditations
is a remarkable man, out of the ordinary, and occupies a unique position
in American Indian religious studies. For a couple of decades
Father Paul Steinmetz, S.J., served as a dedicated missionary among
the Oglala Lakota in South Dakota. He knows their situation
today, their difficult adjustment to two worlds, Indian and white,
and their zest for the religious mystery.” |
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As of January 2007, six images have been completed. They are:
Wiyohipeyata, The Spirit
of the West, Hehaka, The Spirit
of the Male Elk, Zuzeca, The
Spirit of the Snake, Hogan, The
Spirit of the Fish, Wambli, The
Spirit of the Eagle, and Maka, The
Earth. |
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Some of the other spirits include:
Wiyohiyanpa, The Spirit of the East,
Tatanka, The Spirit of the Buffalo Bull,
Sunka, The Spirit of the Dog,
Cetan, The Spirit of the Hawk,
Waziya, a mythical giant of the North,
Capa, The Spirit of the Beaver and
Unktomni, The Spider. |
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My purpose in bringing the Lakota Spirits into the world, in a visual
form, is to “help Technological Man get in touch with his own
primal roots” (from forward of book). With global warming,
the number of wars going on at any one time and the lack of respect
for the land being major issues in our lives, I believe the Lakota,
with their relationship and respect for the earth – their spirituality – help
awaken our consciousness and hopefully make us more aware that life
must come from a place of love and respect towards nature, not to
dominate but to be part of nature. This series has to do with
life itself. |
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Each piece will be unique to the spirit described. Most
of my work is two dimensional and mixed media, but I have been
expanding it out – painting on frames, pieces on plexi glass
that change as the lights diminish, or as the sun goes down. Many
images are on big pieces of mounted photographic paper so that
I can use photographic dyes that sink into the emulsion of the
print. Some pieces are on canvas or canvas board. Other
materials utilized are acrylic paints (brushed and airbrushed),
gouache, glitter, sand; some pieces are on wood so that I am able
to collage my palettes onto them. The sizes range from approximately
two to six feet. The idea is to reveal each spirit out into
the world in its own unique way. |
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If one reads the book and uses it as
a meditation, I believe the same can be done with visual representations
of that material. Meditation can lead to greater awareness,
love and respect for all life – themes I am repeating over
and over – hopefully to help myself and inspire others to
form a closer personal relationship with the Universal Source. |
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In the Black Hills of South Dakota, just
seventeen mills southwest of Mount Rushmore, a memorial to Crazy
Horse has been in progress since 1948. This is the world’s
largest sculpture. Carved out of a mountain, it was begun
by sculptor Korczak Ziolkowski, Boston born, of Polish descent,
at the bequest of Native Americans. The subject, Crazy Horse,
on horseback, is pointing with his left hand, in answer to the
derisive question asked by a white man, “Where are your lands
now?” He replied, “My lands are where my dead
lie buried.” |
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Korczak passed away on October 20, 1982. His
commitment, devotion and dedication to the Crazy Horse Memorial,
were without bounds. His final words to his wife, Ruth, were, “You
must work on the mountain – but go slowly so you do it right.” Ruth,
her sons and daughters and the Crazy Horse Memorial Foundation
board of directors, are carrying on this project began by her husband. Two
goals, besides the mountain carving, are the Indian Museum of North
America, and the Indian University (and Medical Training Center)
of North America. During the thirty-four years Korczak worked
on the project he refused to take any salary. |
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My gratitude also knows no bounds for
the inspiration put out into the world by this great visionary
artist and human being, and I say the following words to him: “Korczak,
through the example of your consciousness, I make this commitment – As
long as I am alive, I will finish The Lakota Spirits Series,
and hope they find a home as Crazy Horse has in the Black Hills
of South Dakota.” |
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