Wiyohipeyata

 In 2004, as had happened with my angel series (www.angelsofprotection.com) I was intuitively inspired to make a piece of art of one of the Lakota spirits called “Wiyohipeyata” – “the place where the sun retires, the Spirit of the West which presides over the evening and the coming of darkness and is present at the death of man and animals.”  This quote, from the book, Meditations with Native Americans – Lakota Spirituality, by Father Paul Steinmetz, S.J.  is the vehicle that inspired this piece and a new art series:  my interpretations of twenty-one of the Lakota Spirits. 


Dr. Aka Hultkrantz, University of Stockholm, said the following about Father Steinmetz:  “The author of this book of meditations is a remarkable man, out of the ordinary, and occupies a unique position in American Indian religious studies.  For a couple of decades Father Paul Steinmetz, S.J., served as a dedicated missionary among the Oglala Lakota in South Dakota.  He knows their situation today, their difficult adjustment to two worlds, Indian and white, and their zest for the religious mystery.”
 
As of January 2007, six images have been completed.  They are:
Wiyohipeyata, The Spirit of the West, Hehaka, The Spirit of the Male Elk, Zuzeca, The Spirit of the Snake, Hogan, The Spirit of the Fish, Wambli, The Spirit of the Eagle, and Maka, The Earth.

Some of the other spirits include: Wiyohiyanpa, The Spirit of the East, Tatanka, The Spirit of the Buffalo Bull, Sunka, The Spirit of the Dog, Cetan, The Spirit of the Hawk, Waziya, a mythical giant of the North, Capa, The Spirit of the Beaver and Unktomni, The Spider.

 
My purpose in bringing the Lakota Spirits into the world, in a visual form, is to “help Technological Man get in touch with his own primal roots” (from forward of book).  With global warming, the number of wars going on at any one time and the lack of respect for the land being major issues in our lives, I believe the Lakota, with their relationship and respect for the earth – their spirituality – help awaken our consciousness and hopefully make us more aware that life must come from a place of love and respect towards nature, not to dominate but to be part of nature.  This series has to do with life itself.

Each piece will be unique to the spirit described.  Most of my work is two dimensional and mixed media, but I have been expanding it out – painting on frames, pieces on plexi glass that change as the lights diminish, or as the sun goes down.  Many images are on big pieces of mounted photographic paper so that I can use photographic dyes that sink into the emulsion of the print.  Some pieces are on canvas or canvas board.  Other materials utilized are acrylic paints (brushed and airbrushed), gouache, glitter, sand; some pieces are on wood so that I am able to collage my palettes onto them.  The sizes range from approximately two to six feet.  The idea is to reveal each spirit out into the world in its own unique way.

 

     If one reads the book and uses it as a meditation, I believe the same can be done with visual representations of that material.  Meditation can lead to greater awareness, love and respect for all life – themes I am repeating over and over – hopefully to help myself and inspire others to form a closer personal relationship with the Universal Source.


     In the Black Hills of South Dakota, just seventeen mills southwest of Mount Rushmore, a memorial to Crazy Horse has been in progress since 1948.  This is the world’s largest sculpture.  Carved out of a mountain, it was begun by sculptor Korczak Ziolkowski, Boston born, of Polish descent, at the bequest of Native Americans.  The subject, Crazy Horse, on horseback, is pointing with his left hand, in answer to the derisive question asked by a white man, “Where are your lands now?”  He replied, “My lands are where my dead lie buried.”

 

    Korczak passed away on October 20, 1982.  His commitment, devotion and dedication to the Crazy Horse Memorial, were without bounds.  His final words to his wife, Ruth, were, “You must work on the mountain – but go slowly so you do it right.”  Ruth, her sons and daughters and the Crazy Horse Memorial Foundation board of directors, are carrying on this project began by her husband.  Two goals, besides the mountain carving, are the Indian Museum of North America, and the Indian University (and Medical Training Center) of North America.  During the thirty-four years Korczak worked on the project he refused to take any salary.


     My gratitude also knows no bounds for the inspiration put out into the world by this great visionary artist and human being, and I say the following words to him:  “Korczak, through the example of your consciousness, I make this commitment – As long as I am alive, I will finish The Lakota Spirits Series, and hope they find a home as Crazy Horse has in the Black Hills of South Dakota.”

 

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